Young Frankenstein
Mel Brook’s Young Frankenstein is at the Hope Mill Theatre throughout October and November and it’s the perfect show for the spooky season. It is part of the theatre’s 10th Anniversary celebrations and provides a funny, light-hearted theatre experience.
Young Frankenstein, the stage musical, has been adapted from the original 1974 film by Mel Brooks, who also experienced success as creator of The Producers which is currently experiencing a west end revival.
It’s the story of Dr Frederick Frankenstein, grandson of the infamous Victor Frankenstein and world-renowned neurosurgeon, who inherits the family estate in Transylvania upon the death of his grandfather. Initially intent on forgetting the gruesome legacy of his grandfather, Frederick is soon lured into the mysterious laboratory alongside hunchbacked sidekick Igor, overly enthusiastic lab assistant Inga and stern housekeeper Frau Blücher. As expected, the experimenting with bringing the dead back to life soon goes awry as Frederick battles to take back control of his monstrous creation.
Ore Oduba, in the lead role, manages to balance the wild madness and curiosity with the sensible academic mind of Frederick Frankenstein. He is excellently cast to bring brilliant vocals and dancing. Curtis Patrick’s hunchbacked and somewhat inept sidekick Igor almost steals the show with brilliant physical comedy. Together, the duo has a great comic rapport. Considerable mention must also go to the incredible vocals of Rhiannon Chesterman and the talent of Pete Gallagher, both of whom are outstanding and hilarious in their contrasting roles of Elizabeth Benning and The Monster.
Directed and choreographed by Nick Winston the staging is effective and the choreography especially slick. In particular, the theatrical tap number in the second act, oozes comedy whilst demonstrating the talent of the ensemble.
The set design works well in the Hope Mill Theatre as the industrial feel really added to the laboratory design. Special effects and atmospheric lighting add to the overall mood and eerie atmosphere and are also used to great comedic effect. Using video highlights across the background was an inventive choice and felt in keeping with the golden age, Hollywood vibe of the show. Special mention must go to the writer of the credits, whose comedy continues past the curtain call (if you know, you know!).
This comedy-filled twist on the hit movie is certainly a Halloween treat worth the watch.
This show was reviewed on the 19th October 2025 at the Hope Mill Theatre, Manchester where it runs until the 30th November 2025. Tickets available here: Mel Brooks’ Young Frankenstein – Hope Mill Theatre
Review written by Rachael & Gabrielle Groves
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Photo credit: Mark Senior
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