The Lightning Thief

Following a successful run in London, The Lightning Thief: The Percy Jackson Musical storms into the New Wimbledon Theatre this week. Adapted from Rick Riordan’s best-selling novel, the show whisks audiences away on a rocky, myth-fuelled journey through teenage angst, identity, and independence.

The pop-rock score is where this show truly shines — toe-tapping, heart-melting, and bursting with energy in all the right moments. But then again, that’s no surprise coming from composer Rob Rokicki (Monstersongs) and writer Joe Tracz (Be More Chill), who together know exactly how to make a modern musical pulse with teenage adrenaline.

Even if you’ve never cracked open a Percy Jackson book, this show still has plenty to offer. It follows a troublesome sixteen-year-old who discovers that his long-lost father is none other than Poseidon, God of the Sea. As a half-blood — born of both mortal and godly worlds — Percy must navigate powers he barely understands while embarking on a daring quest to the underworld to restore peace to Mount Olympus.

Visually, the production is impactful. Ryan Dawson Laight’s set design, a fusion of rusted, industrial structures, becomes a playground of possibilities — reimagined and repurposed in clever ways throughout. Although, his costume designs, while thoughtful, don’t quite reach the same level of creativity that the set and props achieve.

Lighting designer Tim Deiling brings intensity and clarity, using dynamic shifts and bursts of colour to transport the audience seamlessly between scenes.

At the heart of the show is Vasco Emauz as Percy Jackson, whose golden vocals glide through the demanding score with ease — his polished vibrato could make even Ben Platt nod in approval. Kayaa Montecillo is a standout as Annabeth, delivering a fierce, intelligent performance that gives young audiences a true hero to look up to.

Elsewhere, Eahrr O'Neill charms as Grover, Simone Robinson gives warmth and grounding as Sally Jackson, and Will Sheehy, Aidan Cutler, Elle-Grace Cousins, and Paola Micallef each bring personality and punch to their roles. The hardworking ensemble — Alex Anderton, Abe Armitage, Joseph Connor, Ellouise Delooze, Becca Francis, and Amy McEvoy — deserve special credit for their energy and versatility, especially in covering multiple characters and fast-paced transitions. As a collective, they are integral to the show, making up in places where the budget lacked.

Even with the highly talented cast working hard, Act 1 lacks the magic promised, however Act Two picks up the pace and finds the spark that was missing earlier. Some moments feel a bit random, with songs or scenes that don’t quite earn their place, but the show redeems itself with bursts of inventive choreography (by Lizzi Gee) and some genuinely impressive stage magic and special effects that will wow younger audiences.

Ultimately, The Lightning Thief is a lively, heartfelt adventure that delivers strong messages about bravery, belonging, and believing in yourself — especially when the odds are stacked against you. With its focus on characters navigating ADHD, dyslexia, and self-doubt, it’s an empowering story for young dreamers who see the world a little differently.

It’s not a perfect show, but it’s packed with heart — and for its target audience, it’s a mythological blast.

This show was reviewed on the 28th October 2025 at the New Wimbledon Theatre, London where it runs until the 1st November 2025.  Tickets available here: The Lightning Thief: The Percy Jackson Musical Tickets | New Wimbledon Theatre in Wimbledon | ATG Tickets

Full tour dates here: The Lightning Thief - The Percy Jackson Musical | From 22 Nov | The Other Palace

Review written by Lauren Atkinson

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Photo credit: Johan Persson

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