The Hunger Games : On Stage

The newly built 26 million pound Canary Wharf Troubadour Theatre is the brand new home for the biggest games on the planet. The Hunger Games franchise that took Hollywood by storm and put Jennifer Lawrence on the map has been adapted for the stage and arrives with enormous ambition. At its best it reaches an impressive scale that few stage events attempt. The opening scene unfolds under a grid of cold white lights that descend with slow and deliberate movement, covering the vast space in a quiet sense of dread. As the players get selected Katniss Everdeen nominates herself in place of her younger sister to fight for survival, as the action unfolds the audience respond with complete stillness, as if the entire crowd had been chosen along with the tributes.

Mia Carragher brings a thoughtful and grounded presence to Katniss. Her portrayal balances strength with vulnerability as she captures the inner conflict of a girl forced into the role of a symbol, don’t be fooled though she has fight. She glides us through the story with ease and everyone is rooting for her. Euan Garrett offers a sincere and earnest interpretation of Peeta Mellmark. His gentle manner and steady delivery create a clear contrast with the more guarded nature of Katniss. When he steps into moments of danger or emotional clarity he does so with precision. When the pair team up they prove they are a force to be reckoned with. 

Joshua Lacey delivers a memorable Haymitch Abernathy, full of sharp humour and unexpected insight. He brings a sense of chaos and experience to every scene he enters. His exchanges with both Katniss and Peeta give the production bursts of energy and his timing often lifts the pacing when the story slows. His portrayal is probably the closest anyone’s character gets to the original movies. Tamsin Carrroll shines as Effie Trinket, embracing the character with confident flair. Bright and theatrical, her scenes provide welcome contrast to the darker tension of the Games.

Together the multi talented cast creates a dynamic ensemble that carries the production through its strongest and weakest moments. The cast give committed performances adding emotional clarity and human connection to a story driven by spectacle and they help the show find its pulse even when the pacing becomes uneven. The rapid pace of the script leaves limited room for quieter scenes that allow relationships to develop. Emotional turns arrive suddenly and resolve just as quickly. As a result, the audience receives vivid action without always feeling the deeper cost underneath. Once the action moves into the games, the design team demonstrates remarkable imagination. Lifts built in to the floor, moving seats, towering screens transforming the arena in to the world we have all come to see. As soon as you step in the arena the audience quickly gets a sense that someone is watching and we are a part of the games too. The scenery seems to shift and fold in ways that echo the tension of the story. This visual language is striking and gives the production a sense of momentum that suits the world of Panem. However once you’ve seen the set moves once, the scene changes do become predictable.

Although clearly a spectacle the first half tests the patience of even the most devoted fans. The world building and early character scenes stretch on far longer than needed. The emotional intention is clear, but the pacing is sluggish. I found myself wanting the show to move forward and reach the games much sooner. When the story finally shifts into the arena, the energy lifts immediately, which makes the slow build-up feel even more noticeable. Reaching the game sooner would have saved the rush to push through when the games get juicy. Several moments stand out as truly memorable and the ending walks a careful line between triumph and discomfort, inviting the crowd to question the nature of victory.

In the end, The Hunger Games on stage offers spectacle, energy and a few moments of genuine beauty. It’s a must see for the thrill seekers and fans of the original franchise. I’m excited that it might bring in a new audience to the theatre world.

This show was reviewed on the 12th November 2025 at Canary Wharf Troubadour Theatre where it runs until the October 2026.  Tickets available here: The Hunger Games: On Stage | London Premiere Autumn 2025

Review written by Sam Sadler

AD/Gifted

Photo credit: Johan Persson

Check out other reviews from Curtain Call Reviews and get in touch to have our reviewers head to your show.

We need your consent to load the translations

We use a third-party service to translate the website content that may collect data about your activity. Please review the details in the privacy policy and accept the service to view the translations.