The Great Christmas Feast
Attending The Great Christmas Feast at The Lost Estate in London is one of the most magical festive experiences I have had in years. From the moment you step through the doors, you are drawn into a richly atmospheric world that feels at once familiar and entirely new. Passing through corridors of Victorian artefacts relating to the life of Dickens, the scene has truly been set by the time you reach the festive door to ‘Dickens’ House’.
The production carefully balances Dickens’ traditional charm with The Lost Estate’s signature immersive flair, resulting in an evening that is both theatrically impressive and emotionally stirring.
The storytelling is superb. Essentially a one-man show, Tama Phethean is not only Dickens but conveys the other characters seamlessly. He delivers a performance that feels incredibly alive, full of nuance, humour, and genuine warmth. Ebenezer Scrooge’s journey from bitterness to redemption is handled with exceptional skill—never overplayed, always sincere. Each Ghost is distinctly imagined, bringing a fresh dimension to scenes that could easily feel well-worn in other productions. Here, however, they feel revitalised, vibrant, and vital to the experience. The production’s ability to present these classic moments with such immediacy is a testament to its strength.
The integration of live music is another standout feature. Three musicians (Guy Button, Charlotte Kaslin and Beth Higham-Edwards) weave in and out of the action, underscoring scenes with a beautifully curated soundtrack that enhances both the drama and the festive spirit. Traditional carols sit comfortably alongside newly composed pieces, all performed with a level of artistry that adds real depth to the narrative. At times, the music alone is enough to raise goosebumps.
What truly sets The Lost Estate apart, though, is the immersive environment. The attention to detail is exceptional: warm candlelight, Victorian furnishings, and textured, lived-in sets that transport you entirely into Dickens’ London. Rather than being passive observers, guests become part of the unfolding story, with actors moving seamlessly among the audience in moments that feel intimate but never intrusive. It is this proximity—the closeness to the characters, the immediacy of their emotions—that creates such a powerful connection to the story. There really isn’t a bad seat in the house.
The dining experience deserves its own praise. We enjoyed a 3-course menu which was delicious, each course served between acts so as not to detract from the performance – a choice of potted beef, salmon or cheese to start followed by roast duck leg (or a mushroom pithivier as a vegetarian option) and Twelfth Night cake for dessert. With ticket prices starting at £139.50 per person I was hoping that the food would justify the price and it certainly did, served quickly and with the main course piping hot (no mean feat with up to 250 hungry diners to feed!).
What I appreciated most was the production’s ability to capture the heart of Dickens’ message without ever becoming saccharine. The themes of kindness, generosity, and human connection land with real weight, leaving the audience genuinely moved. As the final moments unfold, you feel the room collectively soften—a sign that the story has worked its timeless magic. Despite a run time close to 4 hours (to allow for dining) the show never dragged.
In a festive season full of events, A Christmas Carol at The Lost Estate stands unmistakably up there with the best. It is beautifully produced, wonderfully performed, and crafted with passion in every detail. An enchanting, unforgettable experience—and an absolute must-see.
This show was reviewed on the 2nd December at The Lost Estate, London where it runs until the 4th January 2026. Tickets available here: Choose your performance - The Great Christmas Feast 2025 | The Lost Estate
Review written by Mike Stocks
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Photo credit: Hanson Leatherby
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