The Enormous Crocodile

In the heart of Regent’s Park, amongst the swaying trees, something monstrous slithered into the spotlight, The Enormous Crocodile. Adapted from Roald Dahl’s picture book, this smash hit chomps its way into musical theatre with more charm than menace, more giggles than growls, and a whole jungle's worth of imagination.

Taya Ming in the title role as The Enormous Crocodile is part diva, part villain. Strutting and scheming through the undergrowth with a grin as wide as the Serpentine, Ming brings a magnetic stage presence and comedic timing sharper than a crocodile’s tooth. She’s the kind of villain who knows she’s in a musical and she loves it. Siobhan Athwal is wonderfully animated as Muggle-Wump the monkey, delivering a performance full of bounce and mischief. Her portrayal of the northern teacher is incredibly funny showing her versatility as an actress, mixed with a fierce, street dancing, body popping Muggle-Wump making her a firm favourite with the little ones. 

Alison Arnopp (Roly Poly Bird) brings a dazzling flair to the role capturing the character’s flamboyance and cleverness, injecting every scene she’s in with vibrant personality and humour. Ryan Crellin-Simpson (Humpy Rumpy the Hippotapotamus) offers a warm and gentle portrayal. His grounded performance balances the more eccentric characters nicely making Humpy Rumpy both lovable and memorable. 

Nia Stephen’s performance as Trunky the Elephant is thoughtful and engaging, giving Trunky a sense of wisdom and kindness that resonates strongly with the audience, particularly in key moments of confrontation with the crocodile. It’s an impressive cast of five performers in which the multi rolling five some very rarely leave the stage for more than two minutes, changing costumes, characters and puppets. They make a well balanced ensemble, each contributing a distinct energy, physicality and accent to every character they play bringing Dahl’s jungle to life in a way that’s both entertaining and true to the story.

Directed by Emily Lim and brought to musical life by Suhayla El-Bushra and Ahmed Abdullahi Gallab, this production is a total riot with lots of mischievous friends designed with children in mind, but unlike a lot of children shows it’s delightful for the grownups. Toby Olie’s puppetry deserves a standing ovation of its own. Each puppet is transformed into a living sculpture of felt, foam, and fantasy, brought to life by the talented cast. Kids gasp, squeal, and (in some cases) shout direct warnings to the characters adding to the magic of the show. 

The set design cleverly blends real foliage with bright, cartoonish props and the cast entrances from hidden pathways turn the entire space into one living, breathing jungle book. The Regent’s Park setting couldn’t be more perfect with leaves rustling on the surrounding tree’s, birds flying across the audience, the jungle doesn’t need to be imagined, it’s simply extended.

The Enormous Crocodile is a sensory, snappy, spectacle for small humans and their slightly bigger humans. If you don’t have a child, do what I did and borrow one, it’s not one to be missed. It’s immersive theatre at its finest, not because it tries to be, but because it doesn’t need to try.

This show was reviewed on the 19th August 2025 at Regent's Park Open Air Theatre, London where it runs until the 7th September 2025. Tickets available here: The Enormous Crocodile | Open Air Theatre

Review written by Sam Sadler

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Photo credit: Danny Kaan

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