Sweeney Todd

Sweeney Todd

From the magical pen of musical theatre legend Stephen Sondheim, Sweeney Todd tells the story of the Demon Barber of Fleet Street and his unhealthy appetite to a certain flavour of pie. This was a new Sondheim musical to me, having never seen a stage production. I was familiar with most of the score, and had a brief understanding of the story, however this razor sharp production from Director Joe Murphy at Birmingham REP left me captivated throughout as I had hoped it would.

Sweeney Todd is a dark tale about revenge, justice, and obsession. The story follows Sweeney Todd, a brooding barber who returns to London after years of exile, determined to take revenge on the corrupt judge who destroyed his life. Reopening his old barbershop above Mrs. Lovett’s pie shop, Todd lures unsuspecting customers into his chair, murders them, and sends their bodies downstairs, where Mrs. Lovett bakes them into meat pies that become wildly popular. As Todd’s thirst for vengeance consumes him, he loses sight of his humanity, leading to devastating consequences for himself and those he loves.

The staging by Elin Steele really does encapsulate the dark nature of the story with dramatic lighting by Rory Beaton which made your heart beat just that bit faster each time the mood changed. The use of a platform throughout the show which moved up and down added another layer to the production and made great use of the space.

Ramin Karimloo takes on the role of Sweeney Todd and was able to bring that brooding, slightly unhinged character to life. Every musical moment by Karimloo was completely mesmerising, leaving you feeling drawn in to his plight and ultimately his demise with even more dramatic effect. Karimloo is a performer able to command a stage with ease, not mentioning his strong and polished vocals which suited Sondheim’s writing style perfectly. His on stage relationship with Meow Meow as Mrs Lovett left me purring with delight as the much needed comedic moments captured the audience and raised many smiles. Meow Meow absolutely owned her performance as the larger than life Mrs Lovett. Played with a beautiful camp edge, this portrayal was perfectly thought through and every moment on stage was spectacular. My personal highlight from the show was ‘A Little Priest’ as both Karimloo and Meow Meow leant into their characters with flair and provided a faultless performance.

David Bedella delivered a magnificent performance as the deeply unsettling Judge Turpin. Bringing to life a character who evokes such profound discomfort and revulsion is no easy feat, yet Bedella accomplished it with remarkable skill. Drawing on his extensive stage experience, he created a commanding and convincingly sinister portrayal that held the audience’s attention throughout. Rarely has a character inspired such a strong desire to see justice served, which is a testament to the power and authenticity of his performance. A mention must also go to Shem Omari James as Anthony Hope who provided a beautifully haunting rendition of ‘Johanna’.

Musical Director Leo Munby oversaw a superb interpretation of Stephen Sondheim’s exquisite score, brought to life by an exceptionally talented orchestra. Those familiar with Sondheim’s work will appreciate the technical complexity of his compositions, both lyrically and musically, making the orchestra’s achievement all the more impressive. Their accomplished performance captured every nuance of the score, adding depth, tension, and drama to an already stunning production.

This show was everything I had hoped for and more, and for it to make its debut at Birmingham REP perfectly reinforces why regional theatre is continuing to challenge and inspire the West End. Productions of this calibre demonstrate that outstanding storytelling, exceptional talent, and ambitious creativity are thriving far beyond the capital, proving that regional theatres are not simply stepping stones to the West End, but powerful artistic forces in their own right.

This show was reviewed on the 14th July at Birmingham REP where it runs until the 15th August 2026. Tickets available here: Sweeney Todd | Birmingham Rep

Review written by Emma Rowley

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Photo credit : Manuel Harlan

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