SIX The Musical
SIX The Musical is a fast-paced and dazzling pop spectacle, bringing history to life in a way no one could have expected, through the fierce, unapologetic voices of Henry VIII’s six wives. With a clever twist, the musical takes on the typical dusty textbooks and dates for a modern pop-concert style that’s as entertaining as it is educational.
From the moment the lights dim and the beats of "Ex-Wives" fill the theatre, SIX establishes its distinct tone. Each wife is given her own spotlight, a solo that tells her story in a way that feels contemporary yet rooted in historical reality. The musical’s approach is bold and unique: rather than treating the wives as mere historical memories, SIX empowers them as bold, distinct individual characters.
The performances are where SIX truly shines. The ensemble cast brings an undeniable chemistry to the stage, with each performer fully inhabiting their role. The way they deliver their lyrics with both wit and attitude is infectious, creating a truly electric atmosphere. The show is a showcase of powerful vocal talent, with each queen bringing a different vocal style to their respective song.
Jaz Robinson (Catherine Of Aragon) Thao Therese Nguyen (Anne Boleyn) Hana Stewart (Jane Seymour) Dionne Ward-Anderson (Anna of Cleves) Caitlyn De Kuyper (Katherine Howard) and Amelia Kinu Muus (Catherine Parr) are our new West End queens. The solo powerhouses shine bright but there is also a distinct unity of sisterhood onstage and it is empowering. You can’t help but leave the theatre with the songs drilled firmly in your head.
The music written by Toby Marlow and Lucy Moss features some punchy, rebellious anthems like "Don't Lose Your Head" to the vulnerable "I Don't Need Your Love," each song captures the essence of each wife perfectly. The score is rich with pop influences, from synth beats to infectious hooks, and it resonates with both history buffs and those new to the tale. It’s musical theatre with a twist, something that could easily slot into the current pop charts.
The production design also deserves praise. With minimalistic set design dominated by chic, modern costumes and a sleek digital backdrop, the show relies on its performances and music to carry it through. This stripped back approach allows the energy of the cast and the strength of the songs to take centre stage.
The sparkly diamond encrusted rock-shique costumes are individual to each queen and are the icing on the cake. Director and choreographer Lucy Moss and Carrie-Anne Ingrouille have found a perfect balance between sleek choreography and storytelling, allowing the show to feel both contemporary and timeless.
Ultimately, SIX brings historical figures into the modern pop sphere with humour, grace, and with an all female band, plenty of girl power!. It’s a show that makes you want to get up and dance, but also makes you stop and think about how women have been shaped by history and how they, too, can reclaim their narrative.
In a world where musicals often take themselves very seriously, SIX is a welcome and thrilling breath of fresh air. The show is undeniably fun, fierce, and full of heart. This is not just a history lesson, but a celebration of resilience, strength, and individuality it’s a fun-filled journey that proves you can teach an old story new tricks.
This show was reviewed on the 25th March 2025 at the Vaudeville Theatre, London where it is booking through until 31st March 2026. Tickets available here: London | Six The Musical | Official Site
Review written by Sam Sadler
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Photo credit: Pamela Raith
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