Peter Pan - A Pantomime Adventure

We predict Greenwich is going to be hooked on Peter Pan this Christmas.

Entering the Greenwich Theatre for the first time there is almost a community feeling to the foyer. The reception is warm and genuine, and people seem to know each other in the crowd. The auditorium feels like a cross between old cinema and school hall – but it’s packed with people and anticipation.

Turning Peter Pan into a pantomime is filled with challenges for a company, as it’s not part of the traditional repertoire. Which story do you tell? How many of the cast get to fly? Do you include a dame? Each decision is navigated well at the Greenwich Theatre which certainly has a fresh feel to the story, based loosely on the characters created by JM Barrie over 120 years ago.

The production feels like a tale of three gears. In first gear are Olivia Williamson (Tinkerbell) and the ensemble. They get the show moving but seem to take a while to know who they are in the production. Second gear is Samuel Bailey (Peter Pan) and Nikita Johal (Wendy) they work hard to remind us what story we are in and to move the narrative on. Then there is Louise Cielecki (Smee) and Paul Critoph (Starky) who accelerate from third to some hyper gear whenever Anthony Spargo (Captain Hook) appears. Smee and Starky provide the pantomimic silliness – whilst Hook is in total command of the show. Yes, he’s the writer – but he also seems to have the right amount of unhinged mayhem about him that keeps the cast and audience on their toes. In his writing Mr Spargo has opted not to include a pantomime dame, but in the way he commands the stage he really is baddie and dame all rolled into one. (I really hope he casts himself as Dame Trott next year in Jack and the Beanstalk – but I digress).

This in-house production is good. The sets are colourful and change relatively quickly with the aid of the onstage revolve, although I would have liked to see some onstage business whilst the stage was turning. The music is accessible with some well-crafted lyrics although some of the nuances of these are lost. The script is clever – it gives nods to many of the pantomimic traditions whilst regularly throwing a naughty curve ball which has the adults howling. Indeed, I don’t think I heard so many innuendos since Julian Clary launched his reign on the palladium!

From an audience member perspective, one thing that lets the production down is the sound mix. Songs lyrics are lost in the balance and yet big musical moments such as the big Guitar riff in the Queen medley fails to have the power it ought. It all felt so “middlely” or lost in the audio mix which is a shame – because it detracted from all the good work happening in the band and on the stage. Still this is not enough to ruin the show – just something that could improve it!

With simple flying, impressive video designs and a story that feels 21st century Anthony Spargo and the team at the Greenwich Theare will ensure that you are hooked this Christmas.

Truly – fun for all the family – as the young girl who sat behind us proved throughout the night.

This show was reviewed on the 5th December at the Greenwich Theatre, London where it runs until the 11th January 2026. Tickets available here: Peter Pan: A New Pantomime Adventure - Greenwich Theatre

Review written by Paul Wood

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Photo credit: Supplied by Production

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