Museum of Austerity
Content warnings: Death by suicide.
Austerity is defined by the implication of policies that aim to reduce government budget deficits through spending cuts, increasing tax or both, much to the dismay of the general public. This is the topic at hand for the Museum of Austerity. Having already toured Manchester, Newcastle and Bristol. This collaboration between English Touring Theatre (ETT), Trial and Error Studio and National Theatre in association with the Young Vic has landed in The Maria Theatre.
The piece examines how successive governments have wielded austerity since the 2008 financial crisis to reshape disability benefits, probing questions of who can claim, who is 'fit to work,' and what happens when a system designed to help instead inflicts harm. It forces the audience to confront the individuals behind the headlines, the people who have died by austerity
In this hard-hitting 35 minute experience, you get the opportunity to hear real testimonies from just some of the people affected by their loved-ones. You may not get the chance to hear all testimonies in full. But you will walk away changed.
Award-winning XR and theatre director, Sacha Wares paired with Specialist Advisor, John Pring, (editor/founder of Disability News Service). Museum of Austerity is perhaps the most important piece of work that everyone and especially MPs should see.
While not quite a show, this piece had many of the qualities of what many would want when visiting the theatre. Care and consideration for the subject matter, stories that make you lean in, commentary on the real-life world that we live in as well as resources and calls to action.
So if the Museum of Austerity is not a show. Then what is it? Think of it rather like an experience with humanity.
When greeted by the hosts at the Young Vic, you are told in detail that this is a mixed-reality experience, limited to ten people at a time. You, the audience, are free to roam and engage with the testimonies as they appear in your headset. This experience is prided on being person-centered, perhaps a direct response to a disability and benefit system that is not. I asked for captions and this was done with ease. There is purposely a large list of accessible options so many different audience members can engage with the work. There are many places to sit and listen, or equally to move aside and listen to the music while taking in the atmosphere.
When walking in the figures appear almost like ghosts through the headset. You will see a woman looking at a form for the job centre, a man who has fallen over in pain while his dog watches. A woman standing on a train platform, a patient in a bed, a man thin next to his fridge. When walking closer, you may hear statements on the importance of cutting benefits from politicians such as past prime ministers, David Cameron or Priti Patel as a transition to the testimony. You may also hear some gentle music composed by Adrian Lee which underscores the entire experience.
These are not easy to listen to either. In fact they are laid plain that these people suffered. Philippa Day is just one of these people. Her testimony is told to us by her sister, Imogen Day. When wearing headphones,I saw the image of a woman, Philippa in Batman PJs,takeaway boxes and her children’s toys on her bed. A worried expression on her face as she reads a Disability Living Allowance form. We are told by her sister how the mismanagement of benefit claims, their negligence and refusal to arrange a home visit for Philippa’s assessment, when it had been raised that Philippa had agoraphobia alongside other disabilities such as diabetes and poor mental health. This was a major factor as to why Philippa took her own life and why her sister fights on her behalf today.
In a time where division seems worse than ever. Often the people who can get forgotten are our most vulnerable. This has been proven by the 2022 report published in the Journal of Epidemiology and Community Health, found there were 334,327 excess deaths due to austerity between the years of 2012 and 2019. In this post-covid world, we should be reminded of this horror and do all we can to avoid it getting this bad ever again.
When leaving, I took time to look at the further resources and the timeline of government changes. I had to take a moment to really understand what I had experienced. At the time I was there, another two or three people were with me, but it felt 100% my own. I saw people writing notes in response, reaching to try and “touch” the VR, or simply sitting and taking everything in. While uncomfortable, it was very important to feel all of this.
How can any of us not in government help? Get involved. Get informed. Get emotional. One way to kick off your journey is to see powerful, needed work such as Museum of Austerity
This show was reviewed on the 9th December at The Maria Theatre, Young Vic Theatre, London where it runs until the 16th January 2026. Tickets available here: Museum Of Austerity | Young Vic website
Review written by Mary Condon O'Connor
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Photo credit: Ellie Kurttz
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