Midsomer Murders : 
The Killings at Badgers Drift

It begins, as it always does in Midsomer, with birdsong and deceit and before you know it, someone’s been bludgeoned to death between the begonias. But who, why and how? 

Guy Unsworth’s Midsomer Murders: The Killings at Badger’s Drift isn’t so much an adaptation as a mischievous resurrection. It pulls the corpse of the ITV classic from its Sunday evening grave and gives it a wink, a waltz and a rather sharp shove back into the limelight.

The play opens on village local Lucy Bellringer (Julie Legrand) as she reports her suspicions surrounding the death of an elderly friend. Detective Chief Inspector Tom Barnaby (Daniel Casey) and Detective Sergeant Gavin Troy (James Bradwell) after much persuasion decide to open up the case looking in to the death of the local busy body and nothing can prepare them for the chaos that will soon unravel. 

Casey now promoted from the television’s DS Troy to the trench coated Inspector, carries the production with understated wit. There’s an irony to watching the former sidekick become the master as his calm precision anchors a world of chaos and eccentricity. Meanwhile side kick, Bradwell’s Sergeant Gavin Troy offers all the enthusiasm even if he is standing firmly in the shadow of his boss. Together, the duo are oddly touching, a double act in constant danger of tripping over another corpse, the energy together is perfect. Legrand does a good job playing Bellringer, she pops up and keeps the plot moving as all the suspects come out of the woodwork and considering it’s a small village there are a lot.

It’s a really talented cast each actor multi rolling characters bringing to life all the quirkiness of the village and Unsworth wisely avoids straight imitation. Instead, he gives us a hilarious tongue in cheek Midsomer with a larger than life crowd. Each person having their own agendas as the story and scenes feed seamlessly in to one another. The villagers seem aware that something is off, as though the entire county knows it’s being watched by millions. There are sly winks to the audience, a reference to “how many murders can one village endure?” gets a knowing laugh, but the humour never tips into mockery. Then, just when the laughter lulls, the play plunges into real unease. The discovery of another body, a simple blackout, a thud, a gasp is then followed by a silence so complete you could hear a pin drop. 

David Woodhead’s set is a triumph of Englishness. Cottage walls sliding like gossip, curtains that conceal more than they reveal and everything moves with a theatrical sleight of hand. This Badger’s Drift doesn’t just translate a beloved TV show, it reinvents it. It’s both a parody and a eulogy, a love letter to English eccentricity with blood spatters on the furniture.

So yes, the murders are still ridiculous and the motives just as outrageous as you would expect but that’s precisely the charm. Unlike the TV show the script is really witty and not ashamed to laugh at itself, Midsomer Murders has always been about the exquisite art of taking death lightly and this is definitely a cheeky night out you won’t regret.

This show was reviewed on the 30th October 2025 at Richmond Theatre where it runs until the 1st November 2025.  Tickets available here: Midsomer Murders: The Killings at Badger's Drift Tickets | Richmond Theatre in Richmond | ATG Tickets

Full tour dates here: Midsomer Murders On Stage - UK Tour 2025 / 2026

Review written by Sam Sadler

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Photo credit: Manuel Harlan

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