Mamma Mia

Since its debut in London’s West End in 1999, Mamma Mia has become one of the most successful jukebox musicals ever created. Built around the music of Swedish pop group ABBA, the show was conceived by producer Judy Craymer, with a book by Catherine Johnson and direction by Phyllida Lloyd. What could have been a simple nostalgia concert instead became a heartfelt story about love, identity and family, set on a picturesque Greek island. Over 25 years later, the musical remains a global phenomenon, having played in hundreds of cities and inspired two hugely successful films.

The current touring production proves exactly why the show continues to attract audiences of all generations. Rather than attempting to reinvent the musical, this production embraces everything people love about it: infectious songs, colourful staging and an atmosphere of pure escapism. From the opening notes of “Honey, Honey” to the glitter-filled finale, the production delivers an evening of joy that feels both comforting and exhilarating.

At the centre of the story is Sophie (Lydia Hunt), a young bride-to-be who secretly invites three men from her mother Donna’s past to her wedding in the hope of discovering which one is her father. While the plot is undeniably light-hearted and occasionally absurd, it provides the perfect framework for ABBA’s iconic songs. Numbers such as “Dancing Queen,” “SOS” and “The Winner Takes It All” feel surprisingly emotional in context, balancing comedy with genuine warmth. 

The success of the current touring production also rests heavily on the strength of its cast, whose performances bring both humour and heart to the show. The company works together brilliantly, creating the warm and chaotic family atmosphere that makes Mamma Mia so appealing. Every performer seems completely invested in the joy of the production, and that enthusiasm quickly spreads to the audience.

Particular praise must go to Jenn Griffin as Donna, who delivers a performance full of emotional honesty and powerhouse vocals. Donna can easily become an over-the-top character, but this portrayal balances comedy with vulnerability, especially during songs such as “The Winner Takes It All” and “Slipping Through My Fingers.” The emotional weight she brings to these moments gives the musical a surprising depth beneath all the glitter and humour.

Sarah Earnshaw as Tanya and Rosie Glossop as Rosie are equally entertaining, providing many of the show’s biggest laughs. Their comic timing is excellent, and together they create a believable long-standing friendship with Donna that feels natural rather than forced. Musical numbers like “Dancing Queen” and “Chiquitita” become real highlights because of the chemistry between the three women. 

Ultimately, Mamma Mia remains a celebration of friendship, romance and the timeless appeal of ABBA’s music. The current tour captures that spirit brilliantly, offering two and a half hours of sunshine, sequins and singalong happiness that leaves audiences dancing long after the curtain falls.  It is definitely THE biggest ray of sunshine in musical theatre!

This show was reviewed on the 13th May 2026 at Birmingham Hippodrome where it runs until the 30th May 2026.  Tickets available here : MAMMA MIA! – Birmingham Hippodrome

Review written by Emma Rowley

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Photo credit: Brinkhoff-Moegenburg

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