Jack and His Giant Stalk

Jack and His Giant Stalk at Brick Lane Music Hall is an utter triumph. I can only describe it as a joyous, riotous success from start to finish. Truly phenomenal work from both the cast and the creative team, delivering a production that reminds you exactly why pantomime, when done right, is unbeatable.

Lucy Hayes’ direction goes all in, packing every moment with either laugh out loud comedy or genuinely beautiful storytelling. There isn’t a wasted beat. Her script, is bouncy, clever and full of heart, allowing each character to leap vividly off the stage while keeping the pace fizzing along. It’s playful without ever being lazy, and sharp without losing warmth.

We are introduced to the Spirit of the Beans, Jack Pallister, who carries himself with the gleeful energy of a young Julian Clary, paired with a fantastic musical theatre vocal. His rendition of the opening number Anything Is Possible sets the tone perfectly, he is confident, charismatic and bursting with joy. Pallister also deserves praise for his lyrics throughout the show, tongue in cheek, knowingly cheeky but never crass.  

Jack Trott, the title role, is played with gusto by Josh Benson. A comedian through and through, Benson allows his natural comedy to shine while expertly handling the ‘straight’ title role which is no easy task in a pantomime world full of larger than life characters. 

Samantha McNeil’s Jill is an absolute delight. She creates a wonderfully fresh, confident character with some of the show’s most memorable moments and in many ways manages to steal the show. Lucy Reed as Daisy the Cow manages to become the major heart and anchor of the show. Reed showcases her ability to sing, dance and act her socks off, with clear echoes of Barbara Windsor paired with phenomenal vocals, a winning combination that has the audience eating out of her hand.

The villains are a particular highlight. Hayley-Jo Whitney’s Ophelia Loose bottom (and what a pun) is a gloriously wicked creation, relishing every moment of villainy. Her performance of Don’t Stop Me Now is a standout, showcasing an amazing vocal and commanding the stage with ease. Charlotte Fage delivers strongly as Poison Ivy, bringing menace, polish, and a great vocal performance that perfectly complements the double villain dynamic.

Andrew Robley’s Dame Fanny is a masterclass in dame performance, stealing scenes left, right and centre with warmth, wit and impeccable comic instincts. Vincent Hayes MBE, creator of Brick Lane Music Hall, appears as Willy Trott and reminds us exactly why he is such a revered music hall star, his star quality is undeniable and his respect for music hall and comedy through a knowing look to us shines through every moment on stage.

Jordan Langford’s choreography is punchy, clever and drives the story forward beautifully. For a stage of this size, the choreography explodes off of the stage, dynamic, clear and entertaining. Shannon Topliss’ design fills the space brilliantly and enhances the storytelling throughout; she is very much a designer to watch. Zara Kattan’s production and costume design is bold, colourful and full of imagination. The Dame’s seemingly endless costume changes defy belief and bring constant visual delight.

Musically, Scott Hayes and his merry band made up of Martin Layzell and Andy Pook, drive the show with energy and flair, creating standout musical moments that lift the production even higher.

The whole experience of visiting this show is the remarkable building. It makes this not just a show, but a truly magical event. The three course meal deserves a mention: hearty, enjoyable and reminiscent of a very good wedding breakfast, exactly what you want for an evening of feel good theatre. There is no doubt the cast and entire staff within the building truly are a community and invite us along for the ride in the best way possible.

A glorious five star triumph, celebrating British Pantomime, packed with talent, laughter and heart.

This show was reviewed at Brick Lane Music Hall where it runs until the 7th March 2026. Tickets available here: Brick Lane Music Hall - London Theatre

Review written by Sam Sadler

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Photo credit: Supplied by production

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