Here There Are Bluberries
Here There Are Blueberries at Stratford East Theatre is a profoundly moving, meticulously crafted piece of theatre that lingers long after the final bow. Combining documentary storytelling with gripping dramatic interpretation, the production offers a haunting and deeply human exploration of history, memory and moral responsibility.
The play centres on the discovery of a real-life photograph album compiled by Karl Höcker - an SS officer at Auschwitz. What begins as an archival curiosity quickly unfolds into a devastatingly intimate record of ordinary people participating in extraordinary cruelty. The production’s brilliance lies in its refusal to sensationalise. Instead, it invites the audience to confront uncomfortable truths through quiet, forensic storytelling that is both intellectually stimulating and emotionally overwhelming.
The ensemble cast delivers an exceptional performance. Each actor seamlessly transitions between narrators, historians and historical figures, maintaining clarity and emotional authenticity throughout. Their delivery is restrained yet powerful, allowing the gravity of the material to speak for itself. There is an impressive precision in the pacing, ensuring that moments of revelation land with devastating impact while allowing space for reflection. The cast balancing academic analysis with raw human emotion.
Visually, the production is striking in its simplicity. The staging is clean and purposeful, with projections playing a crucial role in bringing the archival material to life. The use of photography is particularly effective, grounding the narrative in stark reality while reinforcing the play’s central theme: the unsettling normality of those involved. The technical design never overwhelms but instead supports the storytelling with sensitivity and intelligence.
Director Moisés Kaufman and their creative team demonstrate immense respect for the subject matter. The play avoids moral grandstanding, choosing instead to pose difficult and relevant questions about complicity, historical memory and the ways societies process atrocity. It challenges the audience to examine how easily ordinary lives can intersect with systems of brutality and indeed can't help but make the audience acknowledge the parallels with contemporary events.
The production’s documentary style fosters a sense of collective witnessing, making the experience feel urgent and relevant rather than historical and distant.
What makes Here There Are Blueberries particularly extraordinary is its emotional complexity. The production does not simply recount historical facts; it examines the ripple effects of history across generations. Moments of unexpected tenderness and humanity emerge, making the horror even more profound. The script, by Moisés Kaufman and Amanda Gronich, is carefully structured to reveal information gradually, creating a growing sense of dread that culminates in a deeply affecting conclusion.
Ultimately, Here There Are Blueberries is a masterclass in documentary theatre. It is intelligent, harrowing and exquisitely performed. The production succeeds not only as historical storytelling but as a timely reminder of the importance of vigilance, empathy and moral courage. It is theatre at its most powerful — educational without being didactic, emotional without being manipulative, and unforgettable in its impact.
A powerful and timely reminder of the banality behind atrocity.
This show was reviewed at Stratford East Theatre, London on the 11th February 2026 where it runs until the 7th March 2026. Tickets here: Here There Are Blueberries
Review written by Mike Stocks
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Photo credit: Mark Senior
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