Freaky Friday
After first hitting U.S. stages in 2016, and coming close to a Broadway run, Disney’s Freaky Friday arrives as this year’s festive show at HOME Manchester. It may not be your typical Christmas classic, but it brings something fresh, fun, and a little different for families looking for a new holiday treat.
Freaky Friday is a new family musical inspired by the hit Disney movie that paired Jamie Lee Curtis with Lindsay Lohan. First a novel by Mary Rodgers, the story now makes its U.K. premiere on stage, with a few modern tweaks, including updated character names and jobs. This time, we meet Katherine (Rebecca Lock), an exhausted mum juggling everything life throws at her, and Ellie (Jena Pandya), her teenage daughter just trying to survive school. When the two magically swap bodies for a day, they’re forced to navigate each other’s worlds and quickly learn just how tough the other’s life really is.
The story kicks off with a punchy, high-energy musical number ‘Just One Day’ with Katherine scrambling to get Ellie out the door for school while juggling the chaos of planning her own wedding. It’s frantic, funny, and instantly shows us just how overloaded her life is. But right as we settle into the rhythm of their morning madness, the narrative jumps to the magic hourglass splitting in two and triggering their body swap. This moment should feel huge, it's the catalyst for the entire story but the transition comes off surprisingly flat. The hourglass break needs more build-up, more magic, and more emotional weight to truly land. Without those elements, the switch happens too fast, especially considering the story has barely begun.
At times, after the switch, the direction by Andy Fickman becomes unclear. The rebellious daughter slips into the role of her strict mother almost too easily, while the mother, now in her daughter’s body, goes all-in on acting like a teenager - an odd shift that surprisingly no one in the story seems to question. It’s funny but sometimes it tips so far that she actually comes off as a parody rather than a real 16-year-old. In the film, you can always tell who’s who because their personalities, clothes, and even hairstyles shift in clear, deliberate ways. On stage, that distinction isn’t always obvious, making it harder to track which character each actor is supposed to be playing.
For the most part, Fickman’s direction lands well and matches the overall vibe of the show. The music and lyrics by Tom Kitt and Brian Yorkey respectively, sometimes feel like they need to tap the brakes slightly. The emotional punch we expect from the score doesn’t always come through. One real standout, however, is ‘Women and Sandwiches.’ It’s a genuinely sweet moment where Ellie’s brother and her love interest Adam (Max Mirza) connect at a bus stop during ‘The Hunt’ the school’s annual scavenger hunt as well as allowing Mirza to showcase a tender, sweet heartfelt vocal.
Set design and costume design by David Shields keeps things simple, much like Fickman’s other high-school fan favorite, Heathers. With set pieces wheeled on by ensemble members and a handful of rotating elements, we spend most of our time between the family’s home and the high school. It works well enough, but it doesn’t quite hold the audience’s attention the way it could. A bit more variety in the staging and locations would have gone a long way in keeping things visually engaging. The choreography by Alexzandra Sarmiento however, was captivating, bursting with energy. While the production may not have had any huge, show-stopping numbers, the moments that involved the ensemble were by far the strongest. The choreography was slick, sharp, and impactful, bringing real life and excitement to the stage.
Jena Pandya and Rebecca Lock as Katherine and Ellie deliver a truly stellar performance, capturing the ups and downs of the mother-daughter relationship at the heart of the story. Their chemistry on stage feels natural and relatable, making the family dynamics genuinely heartfelt. On top of that, both bring impressive vocal chops to the table. Jenna’s warmth and strength shine through in every note, while Rebecca’s voice carries both energy and emotion, making the musical numbers feel vibrant and alive.
Freaky Friday is a fun and entertaining alternative Christmas watch, brought to life by an energetic cast that keeps audiences laughing. With the excitement around a follow-up film this summer that fans eagerly clamoured for, there was hope and anticipation that the musical version would deliver an even “Freakier” Friday which sadly didn’t quite recreate the heartfelt chaos of the film.
This show was reviewed on the 1st December at HOME, Manchester where it runs until the 10th January 2026. Tickets available here : Freaky Friday — The new musical, Freaky Friday, based on the beloved 1972 novel by Mary Rodgers and the hit Disney films, which has captured the hearts of generations, comes to HOME with its UK stage premiere this year. | HOME
Review written by Jordan Potts
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Photo credit: Mark Senior
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