Fiddler on the Roof
Concluding it's current UK and Ireland tour at the Alexandra Theatre in Birmingham, this production of Fiddler on the Roof is one tradition that should definitely be upheld! I'm quite simply in awe of the talent this cast have, with moments of unexpected humour, heartfelt stories and all the trials and tribulations of family life, there are many reasons to try and catch this show before it's final show in the New Year.
As soon as the curtain rose and the suspended ceiling descended containing the 'Fiddler on the Roof' (Roman Lytwyniw), it was clear that this production was going to be epic. The ceiling, adorned with hay which you could literally smell as the full staging became visible gave a real sense of the time period this story is set in. Thanks to Designer Tom Scutt every inch of the stage played it's part in setting the scene with the hay bails becoming a whole other character.
Fiddler on the Roof is a richly emotional musical set in the Jewish village of Anatevka in early-20th-century Russia. It follows Tevye, a poor milkman, as he tries to balance faith, family, and tradition while his daughters challenge long-held customs by choosing love on their own terms. As changing times, political unrest, and persecution threaten the community’s way of life, the musical explores resilience, identity, and the enduring strength of tradition in the face of inevitable change.
There were many outstanding musical moments throughout this show. I'm pretty sure that most people would be familiar with 'If I Were a Rich Man' sung by Tevye as he struggles with his poor way of life. Matthew Woodyatt gave a faultless performance as Tevye with the ability of expertly portraying his characters personality, mixing many humorous lines in with more tender moments, including a beautiful duet with his long suffering wife Golde played by Jodie Jacobs. Their relationship was one that most people would probably recognise, with that playful mix of emotion between the pair. They had great on stage chemistry together.
We meet Tevye and Golde's many daughters and are treated to a wonderful rendition of 'Matchmaker' performed by Natasha Jules Bernard as Tzeitel, Hannah Bristow as Chava and Georgia Bruce as Hodel. Their voices blended perfectly and Bernard's belt really did impress throughout the show. As an ensemble, the sound created was exceptional, with a particular highlight being 'Sunrise Sunset' which captured all the emotion of the scene.
Choreography by Julia Cheng really did showcase the talent on stage with the 'bottle dance' wowing as bottles were balanced on heads throughout a complex routine which really did test the performers. Thankfully no bottles were dropped and it made for a stand out moment!
Whether you come for the soaring music, the humour threaded with heartbreak, or the deeply human characters, Fiddler on the Roof leaves a lasting impression. Its themes of family, faith, love, and change remain as powerful and relevant today as ever. By the final moments, you don’t just witness Anatevka’s story—you feel it. This is a production that resonates long after the curtain falls, and one that rewards anyone willing to laugh, reflect, and be moved. Don’t miss the chance to experience this timeless musical live.
This show was reviewed on the 9th December at the Alexandra Theatre, Birmingham where it runs until the 3rd January 2026. Tickets available here: Fiddler on the Roof Tickets | The Alexandra, Birmingham in Birmingham | ATG Tickets
Review written by Emma Rowley
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Photo credit: Marc Brenner
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