Blood Brothers

I’m slowly running out of fingers to count the number of times I’ve seen this absolute classic from the pen of Willy Russell. Telling the story of the Johnstone twins, separated at birth and raised in two completely different worlds, Blood Brothers takes you on one of the most electrifying and emotionally charged journeys in musical theatre.

One minute, you’re laughing until your sides hurt; the next, your heart is being ripped straight out of your chest. It’s a rollercoaster of laughter, heartbreak and raw emotion that never loses its power, no matter how many times you see it.  Pure theatrical perfection!

Over the years, I’ve had the pleasure of seeing many different casts take to the stage, but one performer remains firmly front and centre for me: Sean Jones as Mickey. Having starred in Blood Brothers for many years, you might think there would be little left to surprise me, yet every time I see Jones perform, he somehow manages to raise the bar even higher. The emotional depth he brings to this role is nothing short of extraordinary.

To portray a seven-year-old (nearly eight!) one moment, before transforming into an adult in the second act who is struggling both mentally and physically, is a true masterclass in performance. Jones navigates this remarkable character journey with such authenticity and vulnerability that I’m left utterly heartbroken every single time. His ability to reach into the very depths of my emotions, tug at my heartstrings and refuse to let go until the bitter end is simply breathtaking. I’m always left in awe of his talent.

Joining Jones is fellow returning cast member Joe Sleight as Eddie, the privileged twin whose chance encounter with his biological brother sparks a friendship that will shape both their lives. The chemistry between the two performers is undeniable, capturing the innocence and carefree joy of childhood friendship beautifully before taking us through the increasingly turbulent waters of adulthood. Their bond feels genuine and effortless, making the contrast between those early, carefree years and the devastating events that follow all the more poignant. It’s this evolution of their relationship that lies at the very heart of the story, making its eventual unravelling all the more heartbreaking.

Vivienne Carlyle takes on the role of Mrs Johnstone, a mother driven to the desperate decision of giving up one of her twins in order to survive. Carlyle delivers a raw and deeply moving performance, capturing both the immense vulnerability of a woman trapped by her circumstances and the quiet, lingering despair of a decision that will haunt her until the very end. Yet, beneath this heartache, there is also a playful, light-hearted side to Mrs Johnstone, and Carlyle navigates these contrasting aspects of the character beautifully, bringing warmth, humour and genuine humanity to the role.

For fans of the show, the emotional crescendo arrives in the final moments with Tell Me It’s Not True. Widely regarded as one of the most heartbreaking songs in musical theatre, it demands a truly powerhouse delivery, and this production certainly delivers. Carlyle’s powerful vocals are beautifully complemented by the wider company, creating a devastatingly poignant moment that will have you reaching for the tissues. The emotion is palpable, and as the final notes fade, you’re left in no doubt as to just how emotionally demanding this scene is for everyone involved. Credit must go to Carlyle and the entire company for their exquisite performances, bringing this heart-wrenching conclusion to life with such sincerity and emotional depth.

This is one show I will continue to watch again and again, and would definitely urge you to book for a rollercoaster night of extreme emotion that will leave you speechless.

This show was reviewed on the 20th October 2026 at Birmingham Hippodrome where it runs until the 24th October 2026.  Tickets available here: Blood Brothers – Birmingham Hippodrome

Full tour details here: Blood Brothers | UK & Ireland Tour – Bill Kenwright Limited

Review written by Emma Rowley

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Photo credit : Jack Merriman

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