Bitch Boxer
Charlie Josephine's Bitch Boxer is back and under new direction by Prime Isaac. This production, originally from Watford Palace, is now entering a new form at the Arcola Theatre. This intimate show is a knockout in delivering both comedy and tragedy in this one-person show.
Chloe Jackson (Jodie Campbell) is a lot of things: a winner, a fighter, even a joker, but also painfully human. In her boxing gear of gold and blue, she shows us her grit and determination to win gold at the 2012 London Olympics, when finally women are allowed to compete. But after the death of her father before she is meant to compete, can Chloe manage? Are fighters meant to keep on going, and at what cost?
In a set of a boxing ring that makes up a large portion of the playing space (design by Hazel Low), Chloe's father is a constant presence. Even the punching bag is made of old shirts, reminders of him. In moments of direction, when Chloe is pacing the ring, ready for a fight, drinking water while eyeing the other place, or entering a cool-down by taking a seat, I cannot help but cast my eye to this punching bag. Prime Isaac uses these quiet moments, usually reserved for the boxer alone, and instead opens the door for the audience to see the quiet and complex moments. The mental gymnastics when our fighter wants to tell us their story, no matter the pain. I'm no fighter myself, but my more athletic friends tell me that a fight or a run is as much a mental battle as it is a physical toll on the body. What Isaac has managed to do is really present that as a piece of performance.
Josephine's writing is comedic, witty and deeply relatable, even if you have never picked up a boxing glove in your life. We have all locked ourselves out of the house before. Many of us have felt grief, and maybe we have even wanted an impossible dream. However, none of us are Chloe, which is the best part. Not all of us are Olympic athletes, and for me, anyway, this might be the best opportunity to understand the mindset and battle between the sport and the life that surrounds it.
Matched alongside Campbell's performance, it transforms and elevates the piece. We root for Chloe. We want her to win and let loose in the club. We want her to find love, and we want her to be okay. Campbell's (you might have seen her in BBC's The Borders) ability to show that Chloe the boxer and Chloe the young black queer are one and the same. Sometimes Chloe is just a fighter, and sometimes she is just fighting. Campbell ducks and weaves through all the important figures in Chloe's life, showing her at her best and her worst, when she wants to give up and when she gives in to life.
A one-person show is no easy feat at the best of times, and it's considerably harder when the show is about boxing. From her impressive skipping at the start (I could literally never do that) to becoming everyone from Chloe's mother to the next-door neighbour, Campbell's command and control lands every time.
The collaboration between direction, design and performance was a real joy to see on stage. Add in some dramatic lighting design (Jessie Addinall) and you have some real gold. This is a show that is going to leave you winded, but you will want to see how the match ends.
This show was reviewed at the Arcola Theatre, London on the 25th February 2026 where it runs until the 14th March 2026. Tickets available here: Bitch Boxer - Arcola Theatre
Review written by Mary Condon O'Connor
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Photo credit: Ross Kernahan
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