Barnum

As we enter the theatre the pre-show playlist weaves many of Cy Coleman’s numbers along with some other circus-themed music. All are nicely arranged as if played by a carousel organ. The auditorium is buzzing, the tunes are jollying the audience along. Unusually for this show there is a lack of “pre-show” audience interaction which seems like an opportunity missed, although this directorial choice makes sense as the show opens.

Barnum relies on a strong actor playing PT Barnum and Matt Rawle steps admirably into these large shoes. It’s a difficult role requiring him to be on stage 95% of the time and it includes a lot of lib, some of which Matt failed to project over the footlights.

Barnum is ably supported by his long-suffering wife, Charity played by the amazing Monique Young, who (if I had any criticism at all) presents a little too young to be married to Mr Rawle. Spoiler alert number 1: Barnum is really the story of how men think they are in charge but the women in their life really are! So, the character of Charity is vital and is so well played by Monique.

The greatest thing by far about this production is the company. Many are actor-musicians playing (as the programme boasts) over 150 musical instruments. I’ve grown up listening to the original West End and Broadway versions of this show and although occasionally less polished in its sound, the onstage instrumentation of this production brings an authenticity to the story. Topping this are the amazing circus skills of the cast who impressively depict many of the aspects of Barnum’s story. Spoiler alert number 2: Particularly moving was the way they depicted the end of Charity’s life, leading her out of the circus ring – whilst wearing black clown costumes. The circus skills of this production certainly steal the show – it’s worth seeing for these alone.

Final spoiler alert: for me, the book of Barnum has a major flaw. Barnum spends the whole of Act One getting the audience to love him only to burst the bubble when we witness his affair with Jenny Lind the opera singer and imagine the heartbreak this must have caused Charity – who we have fallen in love with. It always takes the shine of the show, and in this version, that’s still the case.

The production has some issues some of which could be more easily rectified than others. It lacks colour in Act One (I presume a directorial choice), but this is certainly modified in Act Two.  The stage design means everything is held behind the proscenium arch. In effect, this means that although Barnum is forever breaking the fourth wall, the rest of the performance is truly “behind the iron”. And maybe the final unforgivable flaw for me is the addition of a click track vocals package in the end of the final number which to my mind diminished the amazing skill of the company.

This is a really good production of a great show. Whilst understanding this show has been created to tour, they could make Barnum great again with a couple of production choices.

This show was reviewed on the 29th  September 2026 at the New Wimbledon Theatre where it runs until the 3rd October 2026.  Tickets available here: Barnum Tickets | New Wimbledon Theatre in Wimbledon | ATG Tickets

Full tour details here: Barnum | 2026 UK & Ireland Tour – Bill Kenwright Limited

Review written by Paul Wood

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Photo credit : Pamela Raith

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