Allegra

Allegra

Not every new play arrives with a central character as distinctive and eccentric as Allegra. We are introduced to a woman whose daily existence is accompanied by an endless soundtrack of songs that only she can hear. From this, emerges a comedy that is entertaining and unexpectedly moving, balancing quick witted humour with thoughtful observations about acceptance, identity and the often overlooked value of being unique.

At the centre of it all is Dame Maureen Lipman in a script that feels tailor made for her. As Allegra, a woman whose mind is forever occupied and accompanied by song, Lipman creates a flamboyant, unapologetic character with neurodivergent tendencies, she tells you exactly how it is and you love her for it. Lipman whose career spans over decades possesses the rare confidence of an actor with nothing left to prove providing us with a stand out performance as she glides the audience through the story. The emotional truth she brings to the role is touching, you see friends and family in this character making her relatable and every burst of song, every moment of whimsical distraction is grounded in genuine humanity, making Allegra impossible not to root for. Her comic timing is spot on leaving the audience belly laughing, making this show unforgettable. 

John Middleton provides excellent support as Ronen, Allegra's long suffering brother. Middleton’s scenes with Lipman carry much of the play's emotional weight and establish a believable sibling relationship filled with warmth, frustration and loyalty. Elizabeth Bower brings sincerity and compassion to Anna, the carer who gradually learns to see the world through Allegra's eyes. Bower's understated performance offers a welcome counterbalance to the larger comic moments, while Bailey Patrick delivers some of the evening's most enjoyable laughs as Officer Rogers. Patrick combines authority and bewilderment in equal measure, creating a character that becomes increasingly drawn into Allegra's unconventional orbit.

Peter Quilter's script succeeds because it never mocks its protagonist. Instead, it invites the audience to question who truly defines normality and what is normal, raising questions on society, how we look at the older generation and the over use of modern day medication. With lots of witty one liner’s the comedy lands consistently but the writing also allows space for quieter reflections on ageing, loneliness and the value of imagination. Allegra’s comic instincts remain razor sharp, even if she is starting to inherit the good old habits that come with age. 

Director and choreographer Stephen Mear ensures the production moves with confidence and charm. The transitions between reality and Allegra's musical inner life feel fluid, giving the play a distinctive theatrical rhythm. Mear understands when to lean into the comedy and when to allow moments of stillness to speak for itself. The production is further elevated by Justin Williams' detailed set and costume design, which creates a home that feels richly lived in and costumes reflective of Allegra's colourful personality. Without knowing it, you are transported from the auditorium straight in to Allegra’s house and the audience find themselves as much a part of the chaos as the actors are.

What ultimately makes Allegra memorable is its generosity of spirit. Rather than offering easy answers, it celebrates the beauty of people who refuse to fit neatly into society's expectations. Warm hearted, touching and unapologetically funny, Allegra stands out for its optimism in a theatrical landscape that is often crowded with irony. Peter Quilter's new comedy dares to ask whether joy itself might be an act of rebellion in a stressful world of inflation and politics. This production provides you with a celebration of humanity’s quirks and a reminder that the world would be a kinder place if we all sang a little more often. Audiences are likely to leave with smiles on their faces and perhaps a renewed appreciation for those who march to the beat of their own internal orchestra. Peter Quilter's comedy is currently playing at Richmond Theatre before embarking on tour with a well deserved West End stint.

This show was reviewed on Monday 8th June 2026 at Richmond Theatre where it runs until the 13th June 2026. Tickets available here: Allegra Tickets | Richmond Theatre in Richmond | ATG Tickets

Tickets for the West End run from the 8th July - 8th August 2026 can be found here: Allegra Tickets | Harold Pinter Theatre in London & West End | ATG Tickets

Review written by Sam Sadler

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Photo credit : Marc Brenner

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