The Great Gatsby

Playing at The London Coliseum, this 1920’s classic adaptation of the F Scott Fitzgerald classic is more style over substance, with it’s huge technical set pieces, glitzy costumes and a cast of West End greats it sadly fails to fill the enormous space of the theatre.

This Gatsby stays mostly true to the original story, following Nick Carraway (Corbin Bleu) who moves to a small cottage on the Gatsby estate. His cousin Daisy (Frances Mayli McCann) lives over the water with her adulterer husband Tom (Jon Robyns) and their friend Jordan (Amber Davies). Nick comes to learn that Jay Gatsby (Jamie Muscato) is in fact in love with Daisy following a small romance they shared pre-war before he was shipped out. Gatsby has a (frankly unhealthy) obsession with Daisy and is determined to win her back despite her now being married and recently become a mother.

The cast are spectacular it must be said, this really is a showcase of the West End’s top talent. Jamie Muscato is spectacular as Jay Gatsby, wonderfully showing all sides of the character from nervous and lovesick when he reunites with Daisy to cold criminal when faced with the consequences of his actions later in the piece. Jamie sings his big numbers with poise and gusto, taking the audience’s breath away at times. 

Frances Mayli McCann is a delight as Daisy, light and frothy in her performance she wonderfully compliments Jon Robyns’ ‘Tom’ who is a large brute of a man with no regard for anyone else but himself. Rachel Tucker and Joel Montague are criminally under-used in this show however, for such huge talents it’s a shame to see so little of them but the time they are on stage they both absolutely steal the show. Joel plays a tragically tortured George Wilson, he brings a poetic nature to the role and makes you feel for him. Tucker is Myrtle, a bored wife who see’s a better life for herself with a rich man who takes care of her. Rachel has an incredible song in Act 2 – One Way Road which threatens to take the roof off the theatre.

Corbin Bleu is outstanding as Nick Carraway, a sort of storyteller for the evening he is perfectly awkward and sweet in this role as well as showing off an impressive voice to boot. Amber Davies rounds off the leads as the ever cool, calm and collected Jordan Baker, an amateur golfer and woman ahead of her time. Amber takes on the ‘New Money’ marathon of a song and does so with ease, she makes it look like a walk in the park.

The design of the show is impressive, blending video design, lighting and scenery perfectly to make the story feel more immersive. This however does get slightly lost due to the nature of the huge stage the story takes place upon, at times the cast feel lost in the space and the huge ensemble do not feel utilised as well as they could be to fill the stage. There is also the fact that there is a huge orchestra pit at the front of the stage as well as a ‘pool edge’ section and then approximately 4ft of unused space at the front of the stage, this means the front row of the audience is around 15-20ft away from the action meaning the cast feel very far away and disconnected from the audience. 

At times when cast were stood towards the back of the stage I struggled to make out their facial expressions as they were so far away. There were also some issues with the sound balance, if more than one person was singing at any one time it became impossible to make out the lyrics behind the huge orchestra sounds. The venue is maybe not a great fit for a musical this lyric heavy.

The main sell of this show is the impressive cast, and they do a fantastic job of bringing it to life but this show has all the fizz of a cheap champagne and sadly does not live up to the expectations set with the impressive casting.

This show was reviewed on the 22nd April 2025 at the London Coliseum where it runs until the 7th September 2025.  Tickets available here: The Great Gatsby Musical | London Coliseum | Spring 2025

Review written by Rosie Browne

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Photo credit: Johan Persson

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