Starlight Express
Rarely does a show rocket past the boundaries of conventional theatre with such audacity and infectious energy as Starlight Express. Andrew Lloyd Webber’s locomotive masterpiece is not just a musical, it’s an immersive spectacle where Broadway meets roller derby in a kaleidoscopic dream of steel, speed, and song.
The magic starts as soon as you enter the Troubadour Wembley Park Theatre. From the first rev of the overture, the production hurls the audience into the cosmos of make-believe, trains and unbridled imagination. The premise, a child’s toy train set springing to life in a dream is deceptively simple, but what unfolds is a technical, theatrical triumph that glides seamlessly between rock opera and heartfelt storytelling.
Jeevan Braich (Rusty) is the heart of Starlight Express, the classic loyal underdog which makes him easy for the audience to root for. Rusty’s journey from self doubt to self belief is a transformation and he has the audience eating out of the palm of his hands. Jade Marvin (Momma) is the soulful voice of wisdom in the cast. With strong gospel influences in her number “Light at the End of the Tunnel,” she anchors the show with her commanding presence and maternal warmth. Momma is a standout for her moral clarity and powerful vocals. Tom Pigram (Electra) is a high-voltage showstopper. Bold, flamboyant, and irresistibly confident. As the personification of flashy modernity and electricity, he brings a dynamic energy that contrasts sharply with Rusty’s awkwardness. Kayna Montecillo (Pearl) brings both charm and complexity to the show. As a character torn between superficial and genuine connection, she symbolizes the journey of learning to look beyond appearances. Her growth throughout the story is subtle but satisfying, and her chemistry with both Rusty and Electra adds emotional texture to the narrative. Each of these characters contributes something unique to the show. Rusty’s heart, Pearl’s emotional arc, Momma’s grounding presence, and Electra’s spectacle. Together, they form a rich tapestry that keeps the show vibrant and emotionally resonant.
The supporting cast, all add their individuality and come together to create this spectacle, each having their moments to shine. The most astonishing feature, of course, remains the staging. Performers whizzing past on their roller skates, whilst still managing to belt high notes with pitch-perfect precision. The choreography is not just tightly wound, every spin and swerve echoing the pulse of the show’s high-octane heart.
Howard Hudson’s lighting is simply stunning. Sitting back and watching the action, it’s simply mesmerising, everything was strategically placed. Gabriella Slade’s colourful eye-catching costumes gave the cast individuality and added to the magic of the show. The clever use of LED screens and live scores feel like you are there in the race involved in the action
The production values on this show are incredible, everything just seemingly gelling together, not only making it a fun trip to the theatre but making it a real and memorable experience.
In short: Starlight Express doesn’t just roll; it roars. It defies gravity, genre, and expectation. If the theatre is meant to transport us, then consider this your express ticket.
This show was reviewed on the 7th May 2025 at the Troubador Wembley Park Theatre, London where it's booking until March 2026. Tickets available here: Starlight Express • London
Review written by Sam Sadler
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Photo credit: Pamela Raith
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