Les Miserables - BMOS
Heading to see one of my favourites musicals of all time was a treat in itself, but to see local amateur theatre company BMOS take on the iconic musical ticked way more boxes that I could have imagined with an emotional, polished, and truly outstanding show. ‘Let The People Sing’ celebrates the 40th anniversary of the Boubil and Schoenberg phenomenon with 11 community-wide productions of this show playing in cities across the United Kingdom, and The Alexandra Theatre in Birmingham was one of the lucky recipients of a very talented cast able to provide West End quality on the amateur stage.
For a show that has run in London since 1985, originally premiering at the Barbican Centre before heading into its permanent home in the West End, it never fails to disappoint with a truly sensational score that has many stand out moments of theatrical magic, coupled with deep rooted emotion that touches even the coldest of hearts. Every song is composed so beautifully that it’s hard to pick out a favourite, however let me listen to ‘Stars’ daily and I’d be pretty happy.
BMOS have staged a truly stunning show. From the opening bars to the closing scenes every moment is so well thought through with some of the most wonderful voices I’ve had the pleasure of hearing. Our Jean Valjean for the evening was Wil Neale whose stage presence and interpretation of this well-known character was perfect. With a strong, powerful voice, Neale was also able to deliver probably one of the most famous musical theatre songs of all time, Bring Him Home, with such tenderness and it really did provide me with that goosebump moment. Playing alongside Neale as arch enemy Javert was Robbie Love, who again excelled in this role. As I mentioned above, Stars happens to be a very special song to me personally and Love absolutely nailed it, much to my delight.
There are many characters to speak of in this show and I can’t mention them all, but there were a few performers who, for me, excelled on the evening. Ismay Dudzinski-Grubb as Cosette provided beautiful angelic vocals, Tim Jones and Sophie Grogan as Monsieur and Madame Thénardier offered up the well needed comic relief throughout their moments on stage, Luke Griffiths as Marius also impressed with his vocals, a powerful and poignant rendition of Empty Chairs at Empty Tables would not be lost in the West End production, and finally the cheeky Gavroche, played for this performance by Jaron Lewis-Haynes, is definitely a star of the future.
The costuming and staging for the show were very much indicative of any other production I’ve seen of this show, with the added screen at the back of the stage providing impressive visuals to help us along in the story. Les Miserables is not Les Miserables without a barricade and thankfully this was not forgotten about, becoming a focal point for the more dramatic fight scenes which were well executed and choregraphed.
It's always a pleasure to see amateur theatre as everyone involved is always so committed in showcasing their talent but also providing a fantastic theatrical experience for the audience. The standing ovation at the end of the show encompassed everything that amateur theatre should be, a joy to many with that added bit of sparkle from a cast and crew who just love the art form. Bravo to everyone involved!
This show was reviewed on the 11th June 2025 at The Alexandra Theatre, Birmingham where it runs until the 14th June 2025. Tickets available here: BMOS presents Les Misérables "Let the People Sing" Tickets | The Alexandra, Birmingham in Birmingham | ATG Tickets
Review written by Emma Rowley
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