King of Pangea
Since the opening of the new King's Head Theatre, in January 2024 it has built a reputation for quality productions – and King of Pangea by Martin Storrow builds on this new tradition. Programming this new musical is brave as it deals with the pain of losing a loved one to cancer. Although that might be the overarching story, at its heart King of Pangea is a story of hope.
The story is told by Sam Crow who finds himself in a tidal wave of grief. The role is portrayed beautifully and sensitively by professional newcomer Alfie Blackwell. Alfie brings a special quality that makes you believe that this really is his story. Delivered with such vulnerability and charm that makes you want to travel with him through the highs, lows and the confusion that add to the interest of this work.
Written as a 90-minute piece, this musical seems to jump on the current trend of omitting the button moments (times for the audience to applause). But in this instance it works exceptionally well as writer and cast take us on a rapid roller coaster of youth, hope, joy, confusion, denial and sadness. All in less than 20 minutes!
Sam introduces us to his younger self, played on press night by Tayt Joshua Silvester-Stroller. Sam appears fearless as he launches into some very exposing musical numbers with joy in his eyes. Young Sam finds himself in the hospital waiting room trying to put together a jigsaw with a missing piece. This is later to reveal itself as the metaphor for the whole work.
I have to admit to wondering in the first 20 minutes “how dark is this going to go?”. Until the appearance of Elijah (a prophet not the prophet!) played by musical theatre and TV veteran Mark Curry. His number Everyone I Love (Is Dead) brings the house down as the audience breaths a corporate sigh of relief. This is a moment of complete musical theatre joy both stage and in the audience. It took me a while to realise where the rest of the musical was taking us – and I won’t spoil it here – but I will say it’s very cleverly done. The amazing vocals of Dan Burton (playing Arthur Crow and Captain) are supported beautifully by the sensitive acting of Sophia Ragavelas, playing Sam’s Mum, Celia, and powerful characterization of Emily Tang - Sam’s potential girlfriend. It’s a very strong ensemble.
All this is ably supported by a small but beautifully formed band lead by Musical Director Jordan Paul Clarke and a set that is cleverly designed by Carly Brownbridge to support every part of the production, without interrupting the flow.
The tight, and slowly unwinding book is well supported with a good variety of musical numbers – some of which are still in my head as I walk to the tube station (always a good sign).
From the bare details I’ve given you, and given the short run-time there is a risk that the difficult topics dealt with in King of Pangea are rushed or over sweetened for theatrical completeness. Far from it – this work comes with truth, hope and love, all wrapped in a beautiful musical, whilst never pretending that the journey is easy.
I didn’t want to give this new show 5* because I think it will grow and get even better – but I can’t think of any reason to deduct any! So, I would encourage you – go see it – the journey will be worth it!
This show was reviewed on the 11th June 2025 at the King's Head Theatre, London where it runs until the 6th July 2025. Tickets available here: King of Pangea — By Martin Storrow, Directed by Richard Israel | King's Head Theatre
Review written by Paul Wood
AD/Gifted
Photo credit: Steve Gregson
Check out other reviews from Curtain Call Reviews and get in touch to have our reviewers head to your show.