Dear Evan Hansen

Every once in a while, a new musical comes along that immediately grabs the attention of the theatre world. This was certainly the case in 2015 with the American premiere of Dear Evan Hansen. Premiering on Broadway in 2016, it won six Tony Awards, later garnered several Olivier Awards, and was adapted into a feature film. Now, Dear Evan Hansen is on its first UK tour in this non-replica version of the hit show directed by Adam Penford.

We meet Evan Hansen, a teenager with severe social anxiety, around whom the musical revolves. When Conor Murphy, one of his classmates, commits suicide, Evan fabricates a story that he and Conor were close friends in an attempt to comfort the grieving family. Through lies and misguided decisions, Evan gains popularity both at school and online, all while struggling with his own guilt. However, it’s only a matter of time before the truth comes out, and Evan must confront the consequences of his actions.

Ryan Kopel takes centre stage as Evan Hansen in this production, showcasing his remarkable versatility as a performer. Having previously impressed audiences in The Book of Mormon and Newsies, Kopel now steps into the titular role of the beloved show, and he more than rises to the occasion. His portrayal of Evan feels effortlessly natural, a testament to his skill, especially considering the character’s often shocking and complex actions. Kopel strikes a perfect balance between embodying Evan’s teenage struggles and delivering a mature, pitch-perfect vocal performance. A standout moment comes during the emotional powerhouse of ‘Words Fail’ where his acting through song is both passionate and deeply affecting, resonating with raw sincerity. It’s hard to envisage anyone else playing the character after Kopel’s interpretation.

The cast also deserves high praise, with Tom Dickerson shining in the role of Jared, injecting the much-needed comedy into the production. Alice Fearn delivers a deeply emotional performance as Evan’s mother Heidi Hansen, showcasing her incredible vocals that she is known for, particularly in ‘Good For You.’ Lauren Conroy’s portrayal of Zoe Murphy is a joy to watch, with a truly stunning rendition of "Requiem."

Olivia-Faith Kamau took on the role of Alana Beck, one of Evan’s classmates and a ‘close acquaintance’ of Conor Murphy, at this performance. Kamau impressed with a performance in a role she may not have played often. Despite this, she showed her adaptability in a challenging role. In a first for the production, Dear Evan Hansen now boasts an ensemble which adds believability to Evan’s story, becoming the ‘voices’ of The Conor Project as well as fellow classmates. Whilst underused, they add dynamism to scenes that could otherwise feel bare.

The show's composers, Benj Pasek and Justin Paul, have crafted an undeniably iconic soundtrack of recent years. The fan-favourite 'You Will Be Found' just before the interval is truly goosebump-inducing, while 'Waving Through a Window' strikes a chord, supported by impressive lighting (Matt Daw), video and set design (Morgan Large). The video design is particularly impactful during moments when Evan's life seems to spiral out of control. Scene changes are seamless, with ensemble cast members aiding transitions during blackouts, as well as a series of sliding glass panels dividing the stage. The final scene in the orchard is clever and visually stunning, utilising mirrors to create the illusion of a fuller staging.

The show explores the power of social media, which remains highly relevant today amid the growing rise of hatred on certain platforms. While it highlights the negative effects, it also emphasises the power of community and belonging. Mental health and grief are central themes, particularly through Conor’s tragic death. While the show portrays this sensitive topic thoughtfully for younger audiences encountering it for the first time, it may still be triggering for some. Ultimately, the musical will spark important conversations around its themes, ensuring its lasting impact and relevance.

Dear Evan Hansen fans, it’s not difficult to see why the tour has been selling out around the country. This is a musical that has gained acclaim through the younger generation, and this production feels as if all the components come together to give a one-of-a-kind theatrical experience. Ryan Kopel is a star, and words fail to express just how incredible he truly is.
Sincerely, me.

This show was reviewed on the 1st April 2025 at the Wolverhampton Grand Theatre where it runs until the 5th April 2025.  Tickets available here: DEAR EVAN HANSEN | Wolverhampton Grand Theatre

Full tour details here: Dear Evan Hansen | 2024 & 2025 UK Tour | Official Tickets

Review written by Jordan Potts

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Photo credit:  Marc Brenner

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